Roman Vishniac (Wischniak) is born to a prosperous Russian Jewish family in Pavlovsk, near Saint Petersburg, and is raised in Moscow.
On his seventh birthday, Vishniac receives his first camera and microscope.
Between 1904 and 1914 Vishniac studies biology and zoology, and experiments with camera lenses and magnification, documenting his results on film.
The Bolsheviks seize power in the Russian Revolution.
Between 1917-19, Vishniac’s family emigrates from Russia to Germany. He remains in Moscow to pursue graduate studies in biology and zoology at Shanyavsky Institute and becomes an avid amateur photographer.
Vishniac and Luta Bagg, a Latvian Jew, are married at a border town on the way from Moscow to Riga. They immigrate to Weimar Berlin.
1920s Vishniac is an active member of several Berlin camera clubs. He builds a fully equipped photo-processing lab in his Berlin apartment in the Wilmersdorf district, a neighborhood heavily populated by affluent Russian Jews. He continues to pursue scientific research and microscopy while becoming an accomplished street photographer.
Luta and Roman Vishniac's first child, Wolf, is born in a Berlin clinic.
Luta and Roman's second child, Mara, is born in the same Berlin clinic as her brother Wolf.
1934-38: Vishniac takes photographs of German Jewish relief and community organizations operating under the Nazi regime in Berlin.
The Nuremberg Laws are instituted in Germany and widespread antisemitic restrictions are imposed upon German Jews. Jewish businesses are boycotted in Germany, inspiring similar antisemitic actions throughout Poland.
Ca. 1935-38, Vishniac is commissioned by the European headquarters of the Jewish Joint Distribution Committee (JDC) in Paris, the world’s largest Jewish relief organization, to photograph impoverished Jewish communities throughout eastern Europe.
1935-44 American photographers Walker Evans, Dorothea Lange, Ben Shahn, and others are hired by Roy Stryker, director of the Farm Security Administration’s Information Division, to document the plight of poor sharecroppers in the Depression-era South.
Vishniac is commissioned by the JDC to photograph thousands of Jewish refugees expelled from Germany in the Polish border town of Zbaszyn.
The JDC commissions Vishniac to photograph the Werkdorp Wieringen, an agrarian training camp in the Netherlands where young German Jewish refugees learn agricultural and vocational skills in preparation for immigration to Palestine and other countries.
In November, coordinated attacks on Jewish businesses, homes, and synagogues throughout Germany take place (Kristallnacht). Following this incident, approximately 30,000 Jews are arrested and sent to concentration camps.
Vishniac is in Berlin during Kristallnacht but is warned by a friend in the police force to avoid his apartment and to go into hiding.
Vishniac’s photographs of Jewish communities in eastern Europe are exhibited in the JDC offices in New York. This is the first time that his work is exhibited in the U.S.
Vishniac shoots moving film footage depicting Jewish life in Carpathian Ruthenia for the JDC. Some material is sent to the JDC in New York; other footage, identified by Vishniac as "outtakes," resurfaces in Paris after the war.
Germany and the Soviet Union sign the Molotov-Ribbentrop mutual nonaggression pact. Germany invades Poland on September 1; two days later, Britain and France declare war against Germany and World War II begins. The first Nazi ghetto is established in Poland.
Vishniac works as a freelance photographer in western Europe, traving briefly to London and settling in France, while Luta remains in Berlin and struggles to secure immigration visas and affidavits for her family. Mara Vishniac is sent to safety in Sweden, where she is later joined by her brother Wolf.
Vishniac travels to the South of France, where he makes a promotional film for the JDC documenting an ORT (Jewish Society for Trades and Agricultural Labor) vocational training school in Marseille. This is his last JDC assignment until he returns to Europe in 1947.
The Vichy regime is established in France, July 1940.
In Paris, Vishniac entrusts his negatives to friend Walter Bierer, who promises to transport them to the U.S.
Vishniac is arrested and imprisoned for a month in the Camp du Ruchard internment camp in France.
Vishniac reunites with Luta, Wolf, and Mara in Lisbon. They embark for New York on S.S. Siboney. The family arrives in New York on New Year's Eve.
Germany invades the Soviet Union. Japan attacks the United States naval fleet at Pearl Harbor. Germany declares war on the U.S. Germany begins mass deportations of Jews to Poland.
Vishniac’s parents begin living in hiding in the South of France. Vishniac's mother, Manya Wischniak, dies, July 30, 1941.
Vishniac opens a portrait studio in his family’s Upper West Side apartment and works to establish himself as a science photographer. Over the next decade, he undertakes several commissions for Jewish relief, social service, and community organizations in the U.S.
The Wannsee Conference is held to implement and coordinate the Final Solution, a plan to annihilate the Jewish people. Germany implements a policy of total destruction of European Jewry.
Walter Bierer brings Vishniac’s negatives from France via Cuba to the U.S., where they are confiscated by Customs. After a lengthy struggle, the negatives are released to Vishniac, and he immediately begins to exhibit and publish them.
A selection of Vishniac's eastern European photographs is exhibited in Life Everywhere, a show at New School for Social Research on view from October 19-November 1. Through this exhibition and others like it, Vishniac sought to raise awareness of the plight of European Jewry as the war raged.
An exhibition of Vishniac’s photographs, Children of Want and Fear: Europe Before the War, is held at the Teachers College Library, Columbia University.
In January 1945 YIVO mounts a second large-scale Vishniac exhibition, Jewish Life in the Carpathians.
Germany surrenders on May 7, 1945. The Auschwitz concentration camp is liberated by Soviet troops. Japan surrenders in September and World War II ends.
Vishniac becomes an American citizen. Vishniac and Luta divorce.
Vishniac’s first monograph, Polish Jews: A Pictorial Record, is published in New York.
Vishniac returns to Europe on assignment for the JDC, the United Jewish Appeal (UJA), and The Forward to document Jewish Displaced Persons camps. While there, he photographs his demolished former hometown, Berlin.
Vishniac reconnects with Edith Ernst, whom he marries in Berlin. They return to New York together, settling on the Upper West Side.
Vishniac begins an enduring friendship with Cornell Capa, who later establishes the International Center of Photography (ICP).
Broadcast premier of an NBC special on Vishniac's work, "The Big Little World of Roman Vishniac" in May.
Vishniac's photographs are used to illustrate Isaac Bashevis Singer's A Day of Pleasure: Stories of a Boy Growing Up in Warsaw, winner of the 1970 National Book Award for Children's Books.
Cornell Capa’s International Fund for Concerned Photography presents the exhibition Concerns of Roman Vishniac at the Jewish Museum in New York.
Vishniac’s book of color photomicroscopy, Building Blocks of Life: Proteins, Vitamins and Hormones, is published.
Wolf Vishniac, son of Roman Vishniac and noted microbiologist and professor, dies on a research expedition in Antarctica.
ICP publishes a monograph on Vishniac, published by Grossman Publishers in New York. The text is a reprint of Eugene Kinkead’s two-part New Yorker profile from 1955.
A large selection of Vishniac’s photographs documenting Jewish life in eastern Europe is published to international acclaim in A Vanished World, which wins the National Jewish Book Award.
A Vanished World Roman Vishniac; with forward by Elie Wiesel New York : Farrar, Straus, and Giroux, 1983, 179 pages
An exhibition by the same name, organized by ICP, tours the U.S. and internationally through 1988.
Vishniac dies at the age of ninety-two.
Mara Vishniac Kohn becomes the executor of Vishniac's estate. Howard Greenberg Gallery begins its twenty-year representation of Vishniac's photographic work.
To Give Them Light: The Legacy of Roman Vishniac, edited by Marion Wiesel, is published by Simon & Schuster in NY.
Vishniac’s daughter, Mara Vishniac Kohn, coedits the publication Roman Vishniac: Children of a Vanished World featuring Vishniac’s 1930s photographs of children in eastern Europe. A related exhibition of Vishniac’s photographs of children tours the U.S.